Rachika Nayar’s Heaven Come Crashing is an instrumental epic of desperate longing
Two minutes and thirty seconds into the title track of Rachika Nayar’s Heaven Come Crashing,...
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Champagne and Bullets belongs on the Mount Rushmore of bad movies
There’s something about a movie like The Room, Troll 2, or Fateful Findings that I...
This unpronounceable series of glyphs is an incredible side project from Kieran Hebden (aka Four Tet)
ʅ͡͡͡͡͡͡͡͡͡͡͡(̸̢̛̼̞̭͋ͅ)̸͚̰͛̔̾̀̿͒͂:̴͓̞̑̌̂̆̊͋̀:̸͎̟̯̂̓̌ ҉ ͡ ͞ ͞ ͞ ҉● ࿀ ● ࿀ ● ҉⃝ ⃝͢ ͞ ͘ ͞⃝̕ ͢ ̛ ⃝ ̸ ̡ ͢⃝̧ ͡ ͡ ̀ ̧ ̢⃝͜ ҉ ͞ ͞ ⃝͞ ͞ ͡⃝ ⃝҉҈҉҈҉҈҉҈҉҈҉ :̶̢͙͙͕̠̩͆(̷̮͍͚̫͚͂̍)̵̳̗̊( ̟̞̝̜̙̘̗̖҉̵̴̨̧̢̡̼̻̺̹̳̲̱̰̯̮̭̬̫̪̩̦̥ What am I supposed...
Mr. Lif’s Emergency Rations EP is post-9/11 hip hop at its most daring
There was a period in the early aughts when Definitive Jux (nee: Def Jux) seemed...
Is Apple TV the new HBO?
This is Lowpass by Janko Roettgers, a newsletter on the ever-evolving intersection of tech and...
Japanese Gothic is a gorgeously grotesque ghost story
I’ll give the usual caveat: The horror novel Japanese Gothic is best experienced going in...
Welcome to Night Vale host Cecil Baldwin shares his tech pet peeves
Cecil Baldwin’s résumé includes appearances on Gravity Falls, narrating the documentary Scream, Queen! My Nightmare...
Los Thuthanaka Wak’a review | The Verge
Los Thuthanaka basically came out of nowhere last year to capture Pitchfork’s album of the...
Red Rooms makes online poker as thrilling as its serial killer
It’s rare for a movie to get technology right. And it’s even rarer for that...
Pete Hegseth’s Pentagon AI bro squad includes a former Uber executive and a private equity billionaire
Hello and welcome to Regulator, a newsletter for Verge subscribers covering the broligarchs, the influencers,...